In order to convey the consequences of such 'translations' from one tuning to another, seemingly distinct tuning, one can observe that since each tuning is 'well-formed' (Carey and Clampitt 1989), each maximizes the number of interval-pairs within particular generic-specific interval-classes. single pieces that have been realized in one or more cultural settings. In well-documented instances, two or more of these tunings appear in. Construed non-numerically (Rahn 2011, 2012, 2013), the following normal-Forte-order formulations accurately model southeast Asian fixed-frequency tunings: sléndro 11111…, the 'usual' pentatonic 22323…, Thai pentatonic 11212, 5-tone pélog 11313 Thai 'equiheptatonic' 1111111…, diatonis/diatonic 1222122, and 7-tone pélog 1112112.
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